If you write contemporary novels, sooner or later you're gonna need a cop. Mysteries obviously call for research into the world of law enforcement, but I've discovered that often my romances do, too. In fact, a cop makes a dandy romance hero.

Enter John Cheek. When I wrote The Lawman for Harlequin, I was lucky enough to know John. I say lucky because John isn't just another guy who's worn a badge. He's a cop who writes and reads fiction. When you tell John that you need the plot to twist a certain way, despite the fact that it might defy law enforcement logic, John won't throw up his hands in dismay. He'll help you find a way to make your storyline work.

He's also the most approachable research source I've ever met. There's no intimidation factor with John, no sense that he thinks your questions are ridiculous, obvious or uninformed. John thinks like a novelist and like a cop, which is a rare and wonderful combination.

As if that weren't enough, he's tremendously introspective. Because of that he's analyzed the unique sub-culture of law enforcement and can give you insights that are exactly what make a book come alive. Some authors have taken the time to shadow a police officer in order to gain that kind of insight and absorb sensory details. With John in your corner, you won't need to do that. He can be your eyes, ears and nose, because he's a keen observer with a great memory.

In my case, I asked John to help me profile a cop with burnout. He proved invaluable, so invaluable that I dedicated The Lawman to him. The book came out in 1995 and was so popular it will soon be reissued. I credit John with helping me get that cop hero just right. I'm sure I'll call on him again.

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